Chelmsford Cathedral

Chelmsford has England’s second-​smallest cathedral, set in an attractive square tucked away from the bustle of the city centre. Originally the main town parish church, it was elevated to Cathedral status in 1914 when the diocese was created to cater for the burgeoning population of Essex and the east of London. The Cathedral is dedicated to St Mary, St Peter and St Cedd.
History
The church has been extensively restored and extended. A church was originally erected on the site around 1200, but the core of the present building derives mainly from a rebuilding in the early 15^th century. This church comprised an aisled nave, a chancel with chapels, a west tower and a magnificent south porch.
The spire was rebuilt in 1749. The nave collapsed in 1800 following excavation in the vaults, and was rebuilt by John Johnson. Frederic Chancellor restored the chancel and south chapel in 1862, and also added the current north transept and outer north aisle in 1873. The east window and chancel clerestory is the work of the famous church architect A W Blomfield, dating from 1877 – 8. After elevation to a Cathedral, two east bays were added to the chancel to create more space in 1926 – 8 to designs by A K Nicholson.
The Church
The exterior is a mix of rubble and flint with brick and stone dressings. The style is largely late Perpendicular Gothic: the best features are the tower and the especially fine 15^th century south porch, with its beautiful patterned flush-​work.
The spacious interior largely reflects the various restorations, especially that of Johnson, whose fabulous Tudor Gothic nave ceiling was painted and gilded in 1961. The 3-​bay chancel arcades and tower arch are original 15^th century work; of particular interest are the two western bays of the north side of the chancel. Here, a pair of Gothic arches are set within a larger rounded arch, with pierced tracery in the spandrel — a truly dramatic piece of architecture.
The cathedral has many interesting works of art from the 20^th century, and good Victorian and 20^th century glass by Clayton & Bell, and Nicholson. There are some outstanding memorials: the large, brightly coloured wall monument in the north aisle to Thomas (d. 1566) and Avice Mildmay (d. 1557) has a dramatic ogee head, with excellent Jacobean strapwork, and panels depicting the husband and wife with their large family in procession. Also in the Mildmay chapel, the Earl Fitzwalter (Benjamin Mildmay), (d.1756) is commemorated by a striking monument with a large urn, flanked by cherubs and a pediment supported by Corinthian columns of Siena marble, signed by James Lovell.
The cathedral is open daily for services and visitors, and has a reputation for excellent music.